Browse Items (880 total)

cody_00007.tif
This image is the title page of Chapter’s Eight and Nine of the Moonstone in the Publication Harper’s Weekly. Harper’s is able to compare and contrast different cultures using dark and light images. The foreign culture is represented as three Indian…

and_t_0004.tif

Harper's Riddle.tif

mico_0002_.tif
This illustration, the third and last that accompany part one of The Moonstone in Harper’s Weekly, presents another interpretation of the three Indians who search for the moonstone in England. They surround a boy who holds the magical ink in his…

kirst_0001.tif
This is the front page of the 8 August 1868 edition of Harper’s Weekly. Collins' “popularity [was such] with American readers that his name always appeared before any other novelist in Harper’s catalogues” (Leighton and Surridge 208), and such is…

mico_0005_.tif
This short comic highlights aspects of American racist ideology by presenting a caricature of an African-American, “Sambo.” This character “soliloquizes” in reply to the Bible verse, “He that giveth to the poor, lendeth to the lord.” In his reply he…

mico_0003_.tif
In this illustration, the second of three that cover part one of Harper’s printing of The Moonstone, the American editors are keen to represent the aggression of the British Empire, while fostering sympathy for the Indians. We know from the text that…

mico_0001_.tif
This is the first illustration that appears in Harper’s Weekly’s publication of The Moonstone. Combined with the other two images on this first page, the illustration sets the tone for the series’ representation of the novel’s Indian characters.…

bren__0003.tif
This is the title page for The Moonstone in Harper’s Weekly’s, May 30, 1868 instalment. On this page we see two illustrations taking up a good portion of the page. In the title of The Moonstone, the words “RICHLY ILLUSTRATED” are presented as almost…

Harper's Suspense Closeup.tif

sydn_0009.tif
FIG. 1. Harper’s Weekly, certainly, was well aware of the diversity in individuals that purchased their newspaper. This can most readily be seen in the advertisement pages. The first page of advertisements is filled with an assortment of objects…

Melissa_1.jpg
                While the second and final page of The Moonstone installment lacks the allure of the title page that precedes it, it still remains clear that Harper’s focus is on the work itself rather than the journal or otherwise. Again, there are…

pg95.pdf
This advertisement is an appeal to citizens to help contribute to the aid of invalid soldiers. It is a wonderful humanitarian venture that is founded securely on financial donations. The monetary emphasis of this piece is highlighted in the use of…

sydn_0007.tif
A column featuring brief biographical information on the Justices of the United States Supreme Court.

Melissa_0.jpg
                The first page of the Harper’s Weekly publication is modest in its attention to the journal itself. ‘Harper’s Weekly’ is seen in plain print at the top of the page, doing little more than reminding the reader in passing that they are…

Collar makers.tiff
This is an advertisement from Harper’s Weekly, looking for workers who know how to use sewing machines, or have a general knowledge of sewing. There were a few different clothing advertisements in this issue of Harper’s. They might have been placed…

Pipes.tiff
In Harper’s Weekly’s May 30, 1868 issue, the reader sees an advertisement for tobacco pipes, pipe repairs, and pipe holders. This advertisement is an example of “sensational advertising” as we see that the advertisement can catch the reader’s eye…

True Image 1 Cropped.png
Comparatively, the week the same section of “The Moonstone” appeared Harper’s Weekly, an American publication, it was featured alongside several references, either textual or imagistic, to the now commonplace epistolary lifestyle. The opening page is…

HWtitlepage.pdf
argument

pg83.pdf
This advertisement is representative of the foregrounding of facts over fiction in Harper’s Weekly. In contrast to All the Year Round which seeks to instruct through fiction, Harper’s Weekly chooses to instruct by advertising a piece of literature…

sydn_0002.tif
On the front page of Harper’s Weekly, February 1, 1868, is a full page spread featuring the poetry of John Thompson. The poem is reminiscent of Anderson’s “The Little Match Girl” (1845) and it sits atop an illustration of the young boy in the poem.…

and_t_0002.tif
The visual scene of Ezra Jennings waiting for Mr. Blake in Harper's Weekly is the key illustration for chapter X. The object details of this scene follow closely to the description of the novel, from the "book-case filled with dingy medical works,…

Diamond.tiff
This diamond advertisement is shown in Harper’s Weekly’s  May 30, 1868 issue. The advertisement is seen as “sensational advertising” due to the fact that it is eye catching. The letters are different fonts and sizes. Once the advertisement catches…

509026.jpg
Small copy of a painting of the painter Rembrandt's mother, used to influence Kroetsch when writing Sounding The Name

cc016r.jpg

cc02r.jpg

cc015r.jpg

cc014r.jpg

cc008r.jpg

cc023r.jpg

mico_0004_.tif
This article accompanies All the Year Round’s first Moonstone publication. The article begins by discussing different types of flies that are found in the Old World and the New World. It starts out as a harmless, rather domestic conversation on the…

cc004v.jpg

cc021r1.jpg

sydn_0003.tif
As Loesberg writes in her essay titled “The Ideology of Narrative Form in Sensation Fiction”: “Class fear was distinctive in this period” (118). In such a rapidly changing world, middle-lower class individuals encroaching on the practices and…

kirst_0005.tif
This is the last paragraph of The Moonstone, as it appears in All the Year Round. I will mention again that the British version uses an exclamation point instead of a question mark in the last line of the novel, the effect of which is that the tone…

kirst_0002.tif
This is the last paragraph of The Moonstone, as it appears in Harper's Weekly. Harper’s Weekly advertises the story as “printed from the author’s manuscript”, but that is not strictly true. There is one notable variant in the American version, as…

kail_0006.tif
All the Year Round—a London-based periodical edited by Charles Dickens—was marketed as a literary journal that would “assist in the discussion of the Social Questions of the Day” (“New Readerships”). While it purported to be a journal for “all…

sydn_0000.tif
The ascetic differences between the two journals can be easily spotted. While the inclusion of illustrations in Harper’s appears to further accommodate a middle-lower class readership and a taste for the sensational, All the Year Round’s exclusion of…

cc036r.jpg

cc003r.jpg

Listening Post from Bert Haynes donation low res.jpg

cc01r.jpg

cc029.jpg

cc006r.jpg

birn_0019.jpg
File consists of draft of poem.

birn_0004.pdf
File consists of second and final drafts of poem written in Mexico.

birn_0003.pdf
File consists of drafts of poem. Item two has E. Birney's holograph annotation "not final form."

birn_0002.pdf
Part of second draft and drafts six, seven, eight and nine of poem. Includes holograph insert by E. Birney: "various drafts of Arrivals".

birn_0001.pdf
Draft of poem.

birn_0000.pdf
File consists of three drafts of poem. Item two is a duplicate copy of item one with holograph revisions pertaining to capitalization and spacing; item three has holograph annotation "final." Items one and two have variant title West Vancouver Ferry.…
Output Formats

atom, dcmes-xml, json, omeka-xml, rss2