Browse Items (880 total)

In the ninth serial part of The Moonstone, Mr. Betteredge and Sergeant Cuff travel to the nearby town of Cobb’s Hole to pay a visit to friends of Rosanna Spearman. While the journey is not far in distance, it is worlds away from the genteel setting…

In her 2010 book The Discourses of Food in Nineteenth-Century British Fiction, Annette Cozzi asserts that food is a significant cultural item that works to establish insider/outsider dynamics within and across communities (5). In her chapter devoted…

This is the article that immediately follows The Moonstone in Harper's Weekly, entitled “Children's Selfishness”. Katie Lanning, like Leverenz, recognizes that “Victorian editors were ‘sensitive’ to the connections readers made between texts in an…

This is the article that immediately follows The Moonstone in All the Year Round, entitled "Carnival Time in Britany". John Drew and Tony Williams, the editors of Dickens Journals Online, identify “Carnival Time in Britany” as a piece of…

Kroetsch's mother at age 17, standing in front of her house.

Image of the Stone Hammer that we assume Robert Kroetsch wrote "Stone Hammer Poem" about.

Image of the Stone Hammer that we assume Robert Kroetsch wrote "Stone Hammer Poem" about.

Image of the Stone Hammer that we assume Robert Kroetsch wrote "Stone Hammer Poem" about.

Image of the Stone Hammer that we assume Robert Kroetsch wrote "Stone Hammer Poem" about.

Image of the Stone Hammer that we assume Robert Kroetsch wrote "Stone Hammer Poem" about.

Image of the Stone Hammer that we assume Robert Kroetsch wrote "Stone Hammer Poem" about.

Short audio file of crowd noise

Excerpt from 181-page typescript (photocopy) with holograph revisions. Includes revised first twelve pages. Identified in author's separate holograph note as "Original final final draft (4th and 5th) and setting draft 1980."

Excerpt from 164-page typescript with holograph revisions. Original final third draft. With unidentified holographs comments, possibly by Rudy Wiebe.

Excerpt from 218-page typescript with holograph revisions and holograph first complete draft.

Excerpt from 181-page typescript (photocopy) with holograph revisions. Includes revised first twelve pages. Identified in author's separate holograph note as "Original final final draft (4th and 5th) and setting draft 1980."

Excerpt from 80-page holograph and typescript first draft and jottings.

Excerpt from 164-page typescript with holograph revisions. Original final third draft. With unidentified holographs comments, possibly by Rudy Wiebe.

Excerpts from 27 pages of holograph fragments pertaining to the short story collection Man Descending. Excerpts show 5 different fragment versions of the ending of Sam, Soren, and Ed.

Holograph fragments of "Going to Russia."

Holograph notes

Typescript miscellaneous pages with holograph revisions

Typescript with holograph revisions

Typescript with holograph revisions

Typescript (mimeograph). Three copies.

Holograph fragment of "The Angel of the Tar Sands"

Holograph fragment of "The Angel of the Tar Sands"

Typescript draft of "The Angel of the Tar Sands"

Typescript draft of "The Angel of the Tar Sands"

In contrast to the illustrated opening on Harper's Weekly, All the Year Round featured a consistently uniform opening of Collin's text mingling with the opening of the newspaper. This uniform opening demonstrates an priority upon the material nature…

In the American newspaper Harper's Weekly, chapter X is opened with this illustration of Franklin Blake reading. This visualization of Mr. Blake opens up certain visual tropes that Victorian readers will associate with sensation fiction (Leighton…

100-200 words go here.